"Vivienne Again": The End is the Beginning

"Vivienne Again," my first short film, is now officially complete! The film, that is, because the work to bring it to an audience is only beginning. I'm very pleased with how it turned out and I'm nervous and excited to see it in a theater with an audience. I'm steeling myself for them to laugh at places I didn't intend to be funny or get restless in moments where I thought I was building tension. Or maybe it'll just go over great. The only way for me to find out is to get out there and screen it. So that's what I'm gearing up to do.

Vivienne Again IMDbI learned a tremendous amount making this short, but many of the lessons are in hindsight and can only be applied to future projects. That's where the next film comes in. And the film after that. And the film after that.

Since this was my first short, there was always the chance I could get to the end and be glad I tried directing, but ultimately found it wasn't for me. I'm astounded by how completely sure I am that the opposite is true. I love adding the directing side to my writing, and how fulfilling it is to take the seed of a story and grow it all the way to a finished film.

I'm ready to turn right around and start again. I'm currently in rewrites on my next short film and hope to announce it soon (I just need to shore up a bit of casting first to be sure I can pull it off).

I'm so grateful to everyone who worked on this short with me and to all of those who gave feedback and encouragement along the way. There simply is no question that I could have done this without everyone of you. I hope the final film will make you proud to have joined in.

It's a wonderful feeling to have the end of a project be the beginning of a career and I look forward to seeing many of you at film festivals very soon!

Cheers to the Writers Who Pitched at Screenwriters World!

(excerpt from on my January 2012 email newsletter) Last month, I volunteered to help run the pitching sessions at the Screenwriters World Conference 2012 in NYC. This was my first pitching event, and if these events are new to you, too, then the following is basically how this one worked.

Over 100 screenwriters came to pitch their work to film & TV execs and talent managers hoping to get a request to send in their script to be read. Since most top production and management companies will only read your work if you are referred to them by a trusted source, a pitching event is a chance to bypass the usual rules and get your ideas directly to those who can help get them produced.

The screenwriters pitched their projects to the reps one after the other, trying to connect with as many reps as they could over a period of four hours. It was without question an endurance challenge for those pitching, for those hearing pitches and even for us volunteers trying to keep it all running smoothly. In the end, I heard stories of varying amounts of success from both sides of the table, but no one I spoke to said their day hadn't been well spent. Hail Mary passes were thrown that day and I hope some of them were caught and new careers were born.

Hats off to everyone who participated in the event, and as a volunteer, I learned a ton about pitching and it was definitely a cool way to spend a Saturday.

(addendum to the newsletter excerpt)

In a nutshell, what I learned about pitching: For those who are planning to pitch someday, the key seemed to be preparation, mostly to achieve a very concise and very clear pitch. More than any other concern, those hearing pitches struggled most with pitches where they couldn't detect the genre and were confused by story and character details. Keep the pitch short and very clear, focusing on your best hook or two, and then be prepared for follow up questions. A strong hook minus any confusing details seems to be a great way to start building your pitch.